4/30/2004 - Review by: Greg Watson
Hypocrisy-The Arrival-Nuclear Blast Records Reviewed by Chaoslord
This album combines elements of their self titled album as well as elements from "Abducted". Peter's guitar work is crisp and bone shearing, while skinsman Lars Szoke pounds the drums like a homicidal maniac bludgeoning a victim. Tagtren's vocals are reminiscent of old Hypocrisy with the high pitched black metal shrieks and an occasional death metal growl here and there. There are even some clean vocal pieces that catch you off guard and add a nice ambience to the album.
With the release of this album, Hypocrisy gives all the people that trashed the last album a big fist in the face. I can go on and on about how good this album is, but the best way to find out is to go buy it and see for yourself.
2/10/2004 - Review by: Eric Compton
HYPOCRISY - The Arrival 2004 Nuclear Blast Records Reviewed by EC
Hypocrisy started their careers with two mindless, aggressive death metal pieces, "Penetralia" and "Obsculum Obsenia". These albums were mostly high tempo, violent examples of the Swedish Death metal sensation. Then the band started the ultimate formula...taking doomy passages ala Candlemass and Sabbath and layering them over brutal death metal growls from the grave, all mixed in with a whirlwind of Lovecraft horror and Ray Bradbury sci-fi. The result..."The Fourth Dimension", one of the greatest death metal offerings of our time.
The group followed that with a complete science fiction nightmare, and a brilliant musical offering entitled "Abducted". This album took X-Files themes and crossed them with the ultimate extreme death metal machine Entombed. This album was their claim to fame and really established the act as the next big thing, with Tagtgren and Hypocrisy getting a long-term contract with Nuclear Blast and touring internationally for the first time. The wheels had been set.
The band followed "Abducted" with "The Final Chapter", an album that goes hand in hand with its predecessor, completing the routine with eerie melody, hellish screams, and gloomy passages. As if things couldn't get any better, the group unleashed their true gem, an album that has yet to be topped in my opinion, simply entitled "Hypocrisy". This effort combined the calculated formulas from the past but mixed in a bit of Gothenburg styled death metal ala In Flames and Dark Tranquility. The self titled album is the ultimate beautiful nightmare, completely brutal and ugly, but at the same time soothing and hypnotic in its vast array of sadistic melody and calming darkness.
After this release, the band took some time off and then released their most disappointing album to date, "Into The Abyss". Going back to the roots of the band, this record offered a combination of their first two records, completing straying from the band's last three albums, and discouraging most fans along the way. After this disappointing loss, the band tried their take on the Slipknot sound with "Catch 22", a brainless, almost effortless attempt at nu-metal that went completely wrong. I finally decided that the band had reached the point where disbanding could be an option. I felt the time had come for the group to just go away and do other things.
Now, its 2004 and the band have released yet another album, this one entitled "The Arrival". After completely dropping the ball on the last two tries, the band have finally hit another home-run. With "The Arrival", Hypocrisy have gone back to the formula that works for them, going back to the science fiction element and the midnight mass of all things sadistic and dark.
This is Hypocrisy, and this is a perfect example of what works for them. This new album is chock-full of all things gloomy and doomy, going back to albums like "Abducted", "The Final Chapter", and "Hypocrisy" for inspiration and clearly a reason to carry on. Tagtgren and company focus on the fire in the sky here, going all out to deliver a chilling, melodic moodpiece that fits perfectly for a rainy night.
The spooky and ever melodic intro "Born Dead, Buried Alive" makes for the perfect opener, with its crashing drumbeat and harmonized, building guitars that approach insanity at just the right place. The track builds into an aggressive ripper that would compare to the group's mid-era, with Tagtgren sticking to the black metal voices. "Erased" follows with a well made, atomospheric crunch that has a very catchy riff throughout, reminding me of Sabbath and Dio with the ultimate metal chorus, one that is very reminiscent of "Roswell '47", a instant classic from the group's past. "Stillborn" looks at the last album very briefly before breaking out of the mold and delivering some quality Swedish death that we have grown to love from bands like Dismember and Unleashed. This is good stuff!
"Slave To The Parasites" and "Dead By Dawning" are uncompromised, perfect melodic passages that Hypocrisy do so well. Nobody out there can play this type of stuff better than Tagtgren and his boys. This is prime evil metal played at full volume with a creative attempt to make "unearthly" music. The band even stops to cover one of their own, a retake on "The Abyss" which was released on a Nuclear Blast compilation only. This new version sticks to the old and only adds better production in my opinion. Still, the song is good enough to be heard and played again.
"The Arrival" is pure gold. This is the perfect Hypocrisy album and I'm really happy that the band decided to go back to their money shots, the creative killing machine that made them who they are. This is really good for the industry and great news for this band. Hypocrisy have proved that they definitely aren't out of the race, and by all means, they plan on keeping their crowns.
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