Maximum Metal Rating Legend
5 Excellent - Masterpiece. A classic.
4.5-4 Great - Almost perfect records but there's probably a lacking.
3.5 Good - Most of the record is good, but there may be some filler.
3 Average - Some good songs, some bad ones at about a half/half ratio.
2.5-2 Fair - Worth a listen, but best obtained by collectors.
1.5-1 Bad - Major problems with music, lyrics, production, etc.
0 Terrible - Waste of your life and time.

Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

The best way to determine how much you may like certain music is to listen to it yourself.
Dirty Americans
Strange Generation
LiquorAndPoker Music
Hard Rock
11/17/2005 - Review by: Vinaya Saksena
Dirty Americans - Strange Generation - 2005 - Liquor & Poker

Track Listing
1. "No Rest"
2 - "Car Crash"
3 - "Strange Generation"
4 - "Burn You Down"
5 - "Time In Space"
6 - "Give It Up"
7 - "Deadman"
8 - "Control"
9 - "Deep End"
10 - "Way To Go"
11 - "Light-Headed"
12 - "Chico"
13 - "We Were Young"
Those who dip their feet in the modern rock pool from time to time might remember a band called The Workhorse Movement. A strange variation of the then-trendy rap-metal movement, the band apparently imploded after doing time on the road opening for various flavor of the week nu-metal/ modern rock acts. But people noticed something different about The Workhorse Movement: Unlike many of their nu-metal peers, who seemed to have never checked out any music older or less mainstream than Korn, they seemed to realize that musical diversity meant more than just throwing a simplistic riff over a hip hop beat, and peppered their music with the odd rock influence from the 1970ís or even earlier.

Fast forward to 2005: The Workhorse Movement is no more, but three of the former band members (plus a new drummer) have ditched the rap influence, added loads of Me Generation features to their sound and image, and re-christened themselves The Dirty Americans. The bandís press material makes much of their seventies-derived sound (which idiot music critics will likely pigeonhole as Ď80ís-derrived, as they do pretty much anything with guitar solos and intelligible vocals) and the use of retro imagery even on my sparse promo copy of Strange Generation borders on ridiculously self-conscious. So for all those fans (myself included) who clamor for anything that smacks of the surprisingly creative and diverse era of rock that was the 1970ís, are these guys our saviors? Not quite, Iím afraid.

Opening cut ďNo RestĒ rumbles along simply but brilliantly with a pounding triplet groove, and a catchy chorus. ďCar CrashĒ really does sound like a musical product of the Motor City, which is repeatedly pointed to as the bandís home in their press material. The title track? Whatís this I hear? It sure as hell donít sound Ď70ís (though the bio once again says otherwise). In fact, it sounds like the best song the frigginí Foo Fighters never wrote, complete with vocals that are a dead ringer for Dave Grohl for cryiní out loud! Not bad, but come on guys- youíre supposed to be a seventies-type band (so says your bio, again!). If youíre gonna go around trying to be some sort of living, breathing musical time machine, ya gotta stay in character, damnit! Anyway, much of the rest is predictable, but welcome old-school riffage, although the recording reeks of Pro Tools and digital modeling amps in places. The songs, with the exception of a couple of mellow ones (these guys canít do ballads for beans, Iím sorry), are fine. The problem, as you might have guessed by now, is the sort of second-guessed nature of its presentation. As much as I enjoy portions of "Strange Generation", there is something safe, predictable, and self-consciously pandering in itís retro mechanisms, making it seem like a pre-packaged, marketing age imitation, rather than the real thing (kind of like a heavier Lenny Kravitz). Being a Ď70ís rock nut like few twenty-somethings I know, I really wanted to like this disc. And itís not that I donít like it. Itís just that for some reason, my cynicism towards modern, demographic-based mass-marketing raises a red flag even as I try to groove along to this stuff.

Rating: 5.5

--Vinaya 11.16.05

Strange Generation
LiquorAndPoker Music
Vinaya Saksena11/17/2005


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