Maximum Metal Rating Legend
5 Excellent - Masterpiece. A classic.
4.5-4 Great - Almost perfect records but there's probably a lacking.
3.5 Good - Most of the record is good, but there may be some filler.
3 Average - Some good songs, some bad ones at about a half/half ratio.
2.5-2 Fair - Worth a listen, but best obtained by collectors.
1.5-1 Bad - Major problems with music, lyrics, production, etc.
0 Terrible - Waste of your life and time.

Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

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The best way to determine how much you may like certain music is to listen to it yourself.
Band
Loudness
Title
Biosphere
Type
LP/EP
Company
Tokyo Japan Comm
YOR
2002
Style
Traditional
1/21/2003 - Review by: Eric Compton
Loudness - Biosphere - reviewed by: EC

Track Listing
1. Hellrider
2. Biosphere
3. Savior
4. My Precious
5. Wind From Tibet
6. System Crush
7. The Night Is Still Young
8. Shame On You
9. Break My Mind
10. So Beautiful
11. For You
Well it looks like Japan’s finest metal band has returned again. I saved up my normal $30 Japanese import price and picked this up one week after the release date. You gotta pay for the goods folks, and this one isn’t coming out domestically.

The original lineup is in place here once again, consisting of Akira Takasaki, Masayoshi Yamashita, Minoru Niihara, and Munetaka Higuchi (Don’t ask me how in the hell to say their names right). Biosphere combines alot of different metal stylings, and may not catch the average metal listener. You have influences ranging from classic metal ala Maiden and Priest, mixed with the early sounds of "Thunder In The East" era Loudness swamped in the heaviness of "Burn My Eyes" style Machine Head.

The band proves that they are still interested in changing their sound to a degree, adding a modern flavor to the sound at times. You’ll find heavy doses of Sabbath downtuning, Nu-Metal, and even a little bit of Zeppelin thrown in to add a pyschadelic touch. The album starts out with a ripping opener, Hellrider, that brings to mind a stylish Judas Priest type Painkiller.

Niihara shows after 20+ years in the business he can still wail with the best of ‘em. Wind From Tibet and System Crush could have been taken right off of early albums like "Lightning Stikes" or "Hurricane Eyes". Twin guitar melody and soaring leads boost both tracks to the top of the album’s playlist. The title track has a 70s hard rock vibe leading into a crushing chorus highlighted by Higuchi’s bombastic drumming. My Precious has heavy bass line rumbling courtesy of Yamashita, reminding me of the Red Hot Chili Peppers at times.

They still show the hard rocking sound of Japan on The Night Is Still Young and Savior. This is one of my favorite albums of 2002 and Loundess continues to be my favorite band from Japan, topping Anthem, EZO, and Earthshaker in overall quality. If you liked all of the albums that Niihara has sang for this band (Yamada turned them into a blues band), you’ll love this one. Basically another "Thunder In The East" with modern overtones. The best $30 I’ve ever spent. --EC 1.21.03
  • 1 :REVIEW COUNT
    N/A :AVE RATING

ALL REVIEWS FOR: LOUDNESS
TITLE
DOR
COMPANY
REVIEWER DATE MADE RATING
2.0.1.2
2012
Tokuma Communications
Eric Compton1/11/2013
4
Biosphere
2002
Tokyo Japan Comm
Eric Compton1/21/2003
-
Eve To Dawn
2011
Tokuma Communications
Eric Compton1/30/2012
4.5
King Of Pain
2010
Tokuma
Eric Compton7/20/2010
3.5
Rise to Glory
2018
Ward
Eric Compton4/9/2018
2.5
Rock Shocks
2006
Crash Music
Eric Compton3/15/2006
-

ALL INTERVIEWS FOR: LOUDNESS
INTERVIEW INTERVIEWER DATE TAGLINE


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