Maximum Metal Rating Legend
5 Excellent - Masterpiece. A classic.
4.5-4 Great - Almost perfect records but there's probably a lacking.
3.5 Good - Most of the record is good, but there may be some filler.
3 Average - Some good songs, some bad ones at about a half/half ratio.
2.5-2 Fair - Worth a listen, but best obtained by collectors.
1.5-1 Bad - Major problems with music, lyrics, production, etc.
0 Terrible - Waste of your life and time.

Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

The best way to determine how much you may like certain music is to listen to it yourself.
Band
Enochian Crescent
Title
Black Church
Type
LP/EP
Company
Woodcut
YOR
2006
Style
Black
1/3/2007 - Review by: Veritas
Enochian Crescent - Black Church - 2006 - Woodcut Records

Track Listing
1. Tatan
2. Tango Absinto
3. Chalk Face
4. Thousand Shadows
5. Ghost of Saturn
6. The Imperfect Vision
7. Hendekagrammaton
8. Tridents Clash
9. Black Church
Like many other black metal bands hailing from Finland, Enochian Crescent don’t play a purely old-school influenced, stick-to-the-rules style black metal. Instead, they go by a more aggressive formula characterized by lots of gang vocals and fast, angry-sounding riffs. Even with this somewhat interesting formula, however, “Black Church” manages to come off as pretty unremarkable.

The problem with “Black Church” is not the style with which Enochian Crescent have approached black metal. Rather, their take is very interesting and original to a point. Not a lot of bands are able to convey pure energy in a black metal setting without coming off as crust or punk influenced, such as Impaled Nazarene. However, after listening to “Black Church” straight through several times, it becomes clear that Enochian Crescent’s creativity pretty much stopped here. Unfortunately, there is little to no variation within the record itself, save a couple of tracks. “Thousand Shadows,” clearly the album’s highlight, contains some pretty impressive riffing and vocal arrangements. Other songs, such as “Tatan” and “The Imperfect Vision,” for example, are barely distinguishable from each other, save their fairly catchy choruses. In fact, the choruses of pretty much every song is structured in more or less the same way, leading to more monotonous conformity.

“Black Church,” like many other modern black metal albums, has some problems. What’s interesting is that Enochian Crescent is in a situation that mirrors that of many other contemporary bands. Instead of sounding like every other band out there, they sound pretty unique. But, with that said, they cannot break out of the narrow mold that they’ve set for themselves as far as songwriting and structure go. This is a real shame, since this band seems to have a lot of potential to make really interesting music, but instead doesn’t do all that great of a job. “Black Church” isn’t a terrible album, but it lacks the diversity to be better than deathly average.


5/10


--Veritas 12.01.06


  • 1 :REVIEW COUNT
    N/A :AVE RATING

ALL REVIEWS FOR: ENOCHIAN CRESCENT
TITLE
DOR
COMPANY
REVIEWER DATE MADE RATING
Black Church
2006
Woodcut
Veritas1/3/2007
-

ALL INTERVIEWS FOR: ENOCHIAN CRESCENT
INTERVIEW INTERVIEWER DATE TAGLINE

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