Symphony Of Delusions
6/27/2005 - Review by: Eric Compton
Blind Stare - Symphony Of Delusions - 2005 - Arise Records
"Symphony Of Delusions" is the debut from Blind Stare, a band that formed in 1999 as a melodic metal band. After adding in a keyboardist the band's output slowly evolved into melodeath. After releasing several demos the group achieved a contract through Arise Records, a label known for their work with Dark Moor, Vhaldemar, Dream Maker, and Skyfire. Now Blind Stare have the perfect home, a place to work their magic and bring to life all of their creative visions. The band hit Noisecamp Studios to record this effort, and with glorious packaging courtesy of Jan Yrlund from Danse Macabre, Blind Stare have one of the better melodic death metal releases of the year.
This band seems to have really cut their teeth on the early to mid-90s style, capturing that Gothenburg sound right around early era In Flames. From the faster, more lightspeed approach at melody and aggression comes a more slowed pace as well, at times mixing clean vocals with harsh overtones. Musically speaking Blind Stare can run the same race as Night In Gales, In Flames, and Skyfire, with the keyboard effect running the same patterns as Throne Of Chaos and the mighty Children Of Bodom. That is really where this band's style lies, those extraordinary fast cuts that just blaze with scorching melody and that cold, somewhat modern songwriting approach.
For the most part vocalist Eino Tuominen keeps a black metal screech to his lines, never completely staying in that fashion but still mixing in the occasional clean passages and an occasional death metal rumble. My favorite material from the band seems to be when the group focus high-octane energy with the slower, more clean passages. Opener "Central Theory" follows that formula, creating a huge, chaotic storm but still focusing all energy into a memorable chorus part. The same can be said for "The Silent Song", a groovy number that uses clean vocals as a way of drifting in more melody. Guitarists Anders Ostrom and Jaakko Lehtinen use plenty of different stylings here, combining on furious new wave romps while still keeping an extreme feel to it all. As if their isn't enough melody booming from those two, keyboardist Zacharias Aarnio adds in plenty of fresh feel with his amazing keyboard work. The keys never get heavy handed though, just simply there to add in the extra memorable element. Other strong cuts is the electric "My Black Letter" and quick paced "Shotgun Symphony".
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