Maximum Metal Rating Legend
5 Excellent - Masterpiece. A classic.
4.5-4 Great - Almost perfect records but there's probably a lacking.
3.5 Good - Most of the record is good, but there may be some filler.
3 Average - Some good songs, some bad ones at about a half/half ratio.
2.5-2 Fair - Worth a listen, but best obtained by collectors.
1.5-1 Bad - Major problems with music, lyrics, production, etc.
0 Terrible - Waste of your life and time.

Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

The best way to determine how much you may like certain music is to listen to it yourself.
JR Ewing
Dim Mak
5/9/2008 - Review by: David Loveless

JR Ewing

Company: Dim Mak Records
Release: 2006
Reviewer: Grim Gaijin
Genre: Hybrid harcore

  • A masterpiece mixing elements of hardcore, metal, prog-rock, and rock

  • One of the best things about doing a CD reviews is that you give listeners a chance to experience new music by (sometimes) making comparisons to other bands of the same genre. This usually gives the CD more credibility and chances are listeners may pick it up if compared to other bands that they like. More often than none, I am able to make those kinds of comparisons, but with JR Ewing, the method of band comparisons is impossible to use. Hailing from Oslo, Norway, JR Ewing has ultimately been characterized as hardcore punk/screamo (although some of their earlier works can be credited to the noisecore scene). However, after listening to their third full length album, Maelstrom, I cannot honestly associate JR Ewing with any of the above mentioned genres. The only genre that even comes close is maybe Post-Hardcore, although their sound is much bigger and more mature than just that one category alone. Maelstrom presents a whirlwind ride through 10 rocking tunes that are memorable and unlike anything out on the scene today. Mixing elements of hardcore, metal, prog-rock, and rock, JR Ewing have created a masterpiece that can be easily accessible for a vast audience.

    The first song, Change Is Nothing (Everything Is), is a great album opener with great guitar hooks and a catchy chorus. In parts, influences of early Janes Addiction and Glassjaw can be heard. The next song, For We Are Dead, is one of my favorite songs on the album with its modern post-hardcore sound and clean vocals. With another catchy chorus and a very solid Bass performance, this song shows JR Ewing at their best. The third song, Nihilistic Elitist, has a great melodic intro before the screams kick in, along with some grim guitar riffs. The fourth song, Take A Hint, in parts sound like it could be taken off of Voivod's 1993 release, The Outer Limits. The vocals range from harmonized clean vocals to screamo-style. Next comes Fucking & Champagne. With a lighter, more melodic approach, this song shows another side of JR Ewing that is just as appealing as their heavier songs. Insect Intercourse is a faster piece with clean vocals and plenty of melody. It also offers (in parts) a more strait-edge metal approach, showing a diversity that is only matched by their creativity. The seventh song, Floodlight, starts off with some soft guitar strumming and then soon kicks into an awesome time signature (often used by the Police on their late 80's material). The eights song, I'm Sorry, You're Sorry, We're All Sorry, is a fast hardcore punk number with a mix of punk-style and clean vocals. The song also offers some great melodies in the chorus part. The ninth song, Pitch Black Blonde, is a great post-hardcore number with touches of progressive drumming and awesome vocal parts. The final song on Maelstrom is the melodic Here I Vanish. With lush guitar tones (in part) and raging vocals, this is a well-rounded song that sums up the excellent work of JR Ewing.

    Who says that all good music that comes from Norway is Black Metal? JR Ewing has easily proven that other genres of music from Norway can be noticed on an international level. For those of you that are new to the JR Ewing experience, Maelstrom is definitely the album that you'll want to get. Usually when I am done reviewing a CD, I delete it from my iPod - to make room for other review material. However, there have been several occasions where the album was so good; it stayed on for additional listens. JR Ewing's Maelstrom will definitely have a home on my iPod for a while!

      4.5 :AVE RATING

    Dim Mak
    David Loveless5/9/2008


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