Maximum Metal Rating Legend
5 Excellent - Masterpiece. A classic.
4.5-4 Great - Almost perfect records but there's probably a lacking.
3.5 Good - Most of the record is good, but there may be some filler.
3 Average - Some good songs, some bad ones at about a half/half ratio.
2.5-2 Fair - Worth a listen, but best obtained by collectors.
1.5-1 Bad - Major problems with music, lyrics, production, etc.
0 Terrible - Waste of your life and time.

Note: Reviews are graded from 0-5, anything higher or not showing is from our old style. Scores, however, do not reveal the important features. The written review that accompanies the ratings is the best source of information regarding the music on our site. Reviewing is opinionated, not a qualitative science, so scores are personal to the reviewer and could reflect anything from being technically brilliant to gloriously cheesy fun.

Demos and independent releases get some slack since the bands are often spent broke supporting themselves and trying to improve. Major releases usually have big financial backing, so they may be judged by a heavier hand. All scores can be eventually adjusted up or down by comparison of subsequent releases by the same band. We attempt to keep biases out of reviews and be advocates of the consumer without the undo influence of any band, label, management, promoter, etc.

The best way to determine how much you may like certain music is to listen to it yourself.
Band
Avichi
Title
The Divine Tragedy
Type
LP/EP
Company
Independent
YOR
2007
Style
Black
4/25/2008 - Review by: Etiam

Avichi
The Divine Tragedy

Company: Numen Malevolum Barathri Records
Release: 2007
Reviewer: Etiam
Genre: Black
Rating
2



  • Causes one to wonder whether this strain of metal has been played out



  • With everyone getting in on the one-man black metal trend nowadays, it was only a matter of time before the bastion of unending grimness that is De Kalb, Illinois offered up a champion. Enter Avichi and 'The Divine Tragedy', the debut offering from the sole member Aamonael. It comes by way of Numen Malevolum Barathri Records, which seems to espouse an ethos (and name) comparable to that of Norma Evangelium Diaboli, and also seems to recently have folded.

    No great loss, to be honest, if Avichi was the prized vintage in its cupboard. Aamonael follows all the tenets of metaphysical Satanic black metal so popular nowadays, and some of his booklet imagery is indeed startling (two chains with hooks on each end, the bottom pair piercing the wings of a dove and the top, explicitly rendered labia), but the music fails to be as intriguing.

    Neither exemplary nor embarrassing, 'The Divine Tragedy' blends the standard fare with handfuls of blackened thrash, atmospheric drone, thoroughly useless intro/outro tracks, and finger-picking technique into a murky whole that will elicit more shrugs than shivers. The structure of these songs is mostly semi-strophic, as is to be expected in the genre, but few of its core riffs are engaging enough to keep the audience interested for long. As a session member, Xaphar turns in an acceptable effort on the drums, wandering between simplistic and busy rhythms with aptitude but little vision.

    If 'The Divine Tragedy' could be summed up in a word, it would be mundane. Listening to Avichi causes one to wonder whether this strain of metal has been played out and now fails to leave much of a lasting impression, savory or otherwise. This concern, more than any discomfort of fear this music could inspire, is a troubling thought and reason enough to steer clear in pursuit of finer spirits. Indeed, 'The Divine Tragedy' isn't anything a stiff belt of Clandestine Blaze can't remedy, or perhaps Vrolok is one is feeling domestic. As for Avichi--best to leave it on the lower shelf as a dust-stand.


    • 1 :REVIEW COUNT
      2 :AVE RATING

    ALL REVIEWS FOR: AVICHI
    TITLE
    DOR
    COMPANY
    REVIEWER DATE MADE RATING
    The Divine Tragedy
    2007
    Independent
    Etiam4/25/2008
    2

    ALL INTERVIEWS FOR: AVICHI
    INTERVIEW INTERVIEWER DATE TAGLINE


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